R&D Groups

Jaclyn Backhaus (playwright) is a Brooklyn-based playwright & performer hailing from Phoenix, Arizona. She is th! resident playwright of Theater Reconstruction Ensemble. Plays for TRE: SET IN THE LIVING ROOM OF A SMALL TOWN AMERICAN PLAY, THREE SEAGULLS OR MASHAMASHAMASHA!, and the upcoming YOU ON THE MOORS NOW (HERE, February 2015). Other recent credits include the Playwrights Horizons/Clubbed Thumb SuperLab of MEN ON BOATS, THE INCREDIBLE FOX SISTERS at the 2014 Ice Factory Festival, and SHOOT THE FREAK at (not just) 3 new plays. She frequently collaborates with director Andrew Neisler and composer Mike Brun on musicals including FOLK WANDERING and BULL’S HOLLOW. Her plays have been developed by or presented at HERE, WalkerSpace, The New York Performing Arts Library, Clubbed Thumb, Ars Nova, Joe’s Pub, Naked Angels, and the Bushwick Starr. Jaclyn is one of Clubbed Thumb's inaugural Falcons and co-founder of Fresh Ground Pepper, an incubation system for new artistic work. When she is not writing, she works at a wine store. BFA: NYU.

Writer

Mike Brun (composer) is a composer, arranger, and multi-instrumentalist known for the wide range of his projects. In 2011, he moved to New York City for the music and stayed for the people-watching. Recent theater credits include: Music Director and onstage musician for Mr. Burns at Playwrights Horizons; Music Director and onstage musician for Gameplay at Ars Nova; co-arranger and onstage musician for Old Hats at ACT San Francisco; and onstage musician for The Tempest at ART. Mike is Lead Composer of the musical Folk Wandering, most recently performed at Joe’s Pub in New York. As a composer for theatre, his work has been performed at Ars Nova, Joe’s Pub, Soho Rep, HERE Arts Center, and lots of his friends’ apartments. Brun is one third of the Shaina Taub Trio, as well as a sideman for Jacob Snider and Kate Davis among other acts. He has appeared on such podcasts as Emma Koenig’s Fuck! I’m in my Twenties, and The Civilians’ cabaret series Let Me Ascertain You.

Composer

Andrew Neisler (director) is a Georgia-raised, now Brooklyn-based theatre artist and director. Recent directing credits include NY Times’ Critics Pick Clown Bar at The Box and Drama Desk nominated Charlatan at Ars Nova. Other projects include GAME PLAY(Ars Nova), BYUIOO (Pipeline Theatre Company, Gym at Judson), THE GRAY MAN(HERE), SHOOT THE FREAK (Not Just 3 New Plays, Paradise Factory), TAPE (Strasberg Institute), FOLK WANDERING (Ars Nova/Joe’s Pub), and BEBE ZAHARA BENET'S CREATURE (XL Cabaret). He is currently developing a new piece, BULL'S HOLLOW, with frequent collaborators playwright Jaclyn Backhaus and composer Mike Brun. He has worked on new plays with Naked Angels, Primary Stages, New York Theatre Workshop, Ars Nova, Smith+Tinker Writers’ Group, The Lark, and Ensemble Studio Theatre. Andrew is the 2014 Director- in-Residence at Ars Nova. He is a co-Founder/co-Director of Fresh Ground Pepper (fgpnyc.com) and a Teaching Artist at Playwrights Horizons Theatre School/NYU.

Director

Juliana Francis-Kelly (playwright) is an actor and a writer. She has originated roles for many great directors, including Reza Abdoh (as a founding member of the internationally renowned Dar A Luz Company); Richard Foreman (in “Paradise Hotel;” “Bad Boy Nietzsche;” “King Cowboy Rufus Rules the Universe” and “Maria Del Bosco” – for which she received an OBIE Award) and for Anne Bogart, Karin Coonrod, Young Jean Lee, Pavol Liska and Kelly Copper, Lear DeBessonet, Normandy Sherwood, Charlotte Braithwaite, Hal Hartley, Meredith Drum, Mary Billyou, Marie Losier in collaboration with Guy Maddin, and David Michalek (for the 2011 Lincoln Center Festival’s “Portraits in Dramatic Time.”) Ms. Kelly also writes, performs and directs her own work, has written for several film companies, and has received project support from the N.E.A., NYSCA, The Durst Foundation and The Jerome Foundation. Her plays include: “Go Go Go”, directed by Anne Bogart at PS 122, reprised at The Institute of Contemporary Art for London International Festival of Theater; “Box”, directed by Tony Torn and performed at The Women’s Project, PS 122; and The Fontanon Festival in Italy; “The Baddest Natashas”, performed at The Ontological Theater and published by Open City Magazine; “Saint Latrice”, at PS 122 (for which she received a Sundance Screenwriters Fellowship for the film script adaptation.) Recent performances include ”Feather Gatherers” for the Drunkard’s Wife, “Woman Bomb” by Ivana Sajko, directed by Charlotte Brathwaite at Baryshnikov Arts Center, and “Ajax” for Theater of War (outsidethewirellc.com). Ms. Kelly also builds dolls, and one of her dolls is installed at the American Museum of Natural History’s Interactive Educational Wing. Julianafranciskelly.com

Writer

Donnetta Lavinia Grays (playwright) is a Brooklyn based actor and playwright. Her plays include SAM (2014 Eugene O’Neill Theater Center National Playwrights Conference Semifinalist), THE REVIEW OR HOW TO EAT YOUR OPPOSITION (2013 Eugene O’Neill Theater Center National Playwrights Conference Finalist) THE NEW NORMAL, THE COWBOY IS DYING, THE B FACTOR and ABSENCE OF FAITH and a short story entitled PEACHES WITH KING. She is the inaugural recipient of the Doric Wilson Independent Playwright Award, a member of the Actors Studio Playwright/Directors Unit, a 2013-14 Women’s Project Playwrights Lab Semifinalist and is a terraNova Collective Groundbreakers Playwright group alum. Her work has been produced or developed by [the claque], Naked Angels, Classical Theater of Harlem, Slant TheatervProject, terraNova Collective, Theatre 4 the People, TOSOS and Coyote REP with upcoming work for Pure Theatre Company in Charleston, SC and The Group Lab. Acting credits include Broadway’s IN THE NEXT ROOM OR THE VIBRATOR PLAY and WELL. NY performance credits with Clubbed Thumb, Primary Stages, Ars Nova and The Civilians as an Associate Artist. Regionally she is a 2-time Connecticut Critics Circle Award recipient and Helen Hayes Award nominee. Film/TV credits include WILDCANARIES, THE ENGLISH TEACHER, THE WRESTLER, BLUE BLOODS, THE BLACKLIST, all LAW & ORDERS, MERCY, RUBICON, THE SOPRANOS and A GIFTED MAN. www.donnettagrays.com

Writer

Rob Handel (playwright) is a resident playwright at New Dramatists and heads the dramatic writing program at Carnegie Mellon University. He was a founding member of the playwrights’ collective 13P, which won four Obie Awards. His latest play, A MAZE, has been produced by New York Stage and Film, Rorschach Theatre (D.C.), and Just Theater/Shotgun Players (Berkeley). Other productions include Long Wharf, SPF, Target Margin, City Lights (San Jose), Curious Theatre (Denver), Theater Ninjas (Cleveland), Half Moon (Poughkeepsie), and 99 Stock (San Francisco). His opera libretti have been produced and developed by NYU School of Music, Opera on Tap at Barbès, North American New Opera Workshop, American Lyric Theatre, and Opera Theater of Pittsburgh. Residencies include The Royal Court Theatre, Donmar Warehouse, The O’Neill Playwrights Conference, Soho Rep, Portland Center Stage, Todd Mountain Theater Project, and a 'pataphysics retreat. Honors include the Helen Merrill Award and the Whitfield Cook Award. MILLICENT SCOWLWORTHY and APHRODISIAC are published by Samuel French. Rob studied at Williams College and with Paula Vogel at Brown University. He lives in Pittsburgh with his wife, poet Joy Katz, and their son.

Writer

Krista Knight (playwright) is a New York based playwright, whose work includes PRIMAL PLAY (New Georges, Playwrights Center of MN), SALAMANDER LEVIATHAN (Joe's Pub, Ars Nova, Fingerlakes Musical Theatre Festival, Inkwell, KCACTF Musical Theatre Award from the Kennedy Center), CLEMENTINE AND THE CYBER DUCKS (Ontological Hysteric Incubator, Hangar Theatre, Inkwell), PHANTOM BAND (The Claque, Walden Theatre, Voice and Vision, Dixon Place), ANAEROBIC RESPIRATION (Playwrights Center of SF, NYC Fringe Festival), and UN-HINGED (Wily West, Playhouse Creatures, WordBRIDGE), among others. Commissions include The Berkeley Rep School of Theatre, Case Western Reserve University Biomedical Engineering Department, The Assembly, Live Girls!, Class Act, SF Friends School, and a new musical with composer Dave Malloy for YMTC. Krista has been in Residence at La Napoule Art Foundation, UCROSS, Yaddo, and MacDowell. BA: Brown University. MA: Performance Studies from NYU. MFA Playwriting: UC San Diego. Page 73 Playwriting Fellow (2007). Shank Playwriting Fellow at the Vineyard Theatre (2011-2012). Member of Youngblood and New Georges JAM. Krista teaches playwriting, screenwriting, and digital storytelling at St. Mary’s College and SUNY Oswego. www.KristaKnight.com

Writer

Caroline V. McGraw (playwright) has written several plays, include ULTIMATE BEAUTY BIBLE, THE BACHELORS, TALL SKINNY CRUEL CRUEL BOYS, THE VAULTS, DEBUT TRACK ONE CHORD ONE VERSE ONE (or, THE SHED), and THE KING IS DEAD. Her work has been produced and developed all around the country, including the Cherry Lane Theatre by Young Playwrights Inc., the Abingdon by Highwire Theatre, the Yale Cabaret, Washington Ensemble Theatre, New Georges, WordBRIDGE Playwrights Laboratory, AracaWorks, New Georges, The Intiman Theatre Festival/One Coast Collaboration, Naked Angels, Rattlestick Playwrights Theater, Washington National Opera/The Kennedy Center, Second Stage, Williamstown Theatre Festival, Studio 42, Page 73, and the Yale School of Drama, among others. She has been in residence at Portland Center Stage’s JAW Festival, Wordbridge Playwrights’ Lab, and SPACE on Ryder Farm. Her feminist pop spectacular …BABY NO MORE TIMES, co-created with Melissa Lusk and Mary Birnbaum, was seen at New George’s Jam on Toast and Ars Nova’s ANT Fest, and will pop up again in late 2014. She is an alum of the New George’s Jam and Interstate 73. Caroline was the 2013 Page 73 Playwriting Fellow. Caroline currently teaches playwriting at Marymount Manhattan College, her alma mater. She is a graduate of the Playwriting MFA program at the Yale School of Drama, where she studied under Paula Vogel. A native of Cleveland, Ohio, she lives in Brooklyn.

Writer

Winter Miller (playwright) is an award-winning playwright and founding member of 13Playwrights. Her play IN DARFUR premiered at The Public Theater for a sold-out run, followed by a standing room only performance at their 1800-seat venue in Central Park, a first for a play by a woman. She travelled to the Sudan border with Pulitzer-winning Times columnist Nicholas Kristof. Full-length plays include: SEED, PATERNITY, THE ARRIVAL, AMANDINE, THE PENETRATION PLAY, and CONSPICUOUS and have been produced regionally and in Canada and Uganda. Winter has been a fellow here: Sundance Institute, Hedgebrook, Blue Mountain Center, The Lark, Orchard Project, Voice&Vision and a member of the Cherry Lane Mentor Project and the Playwrights Center’s Core Writers. Winter has created theater with youth in war-torn areas of Northern Uganda and Palestine as well as marginalized populations in New York City. She currently mentors young women through Girl Be Heard and has worked with LGBTQ youth via Theatre Askew and underserved youth with Stella Adler Outreach. Winter teaches playwriting at Primary Stages’ ESPA, teaches theater criticism to urban high school kids and leads a bi-monthly Weekend Warrior Writing Intensive. Winter is a certified Core Energetics Practitioner working with artists to identify and release blocks in mind and body to create the freedom and space to write the story waiting within. She has written for THE NEW YORK TIMES, NEW YORK MAGAZINE, THE BOSTON GLOBE and other publications and was once an NBC Page. MFA Columbia University, BA Smith College.

Writer

Kamala Sankaram (composer) has been praised as “strikingly original” (NY Times) and has received commissions from Beth Morrison Projects, HERE Arts Center, and Anthony Braxton’s Tri-Centric Orchestra, among others. She is the recipient of a Jonathan Larson Award from the American Theater Wing, and has received grants from the National Endowment for the Arts, MAP Fund, the Foundation for Contemporary Arts, Meet the Composer, and the Asian Women’s Giving Circle, as well as residencies from the MacDowell Colony, the Watermill Center, Con Edison/Exploring the Metropolis, the Hermitage, and the American Lyric Theater’s Composer Librettist Development Program. As a resident artist at HERE Arts Center, Kamala created MIRANDA, a steampunk murder mystery, which was the winner of the New York Innovative Theatre Award for Outstanding Production of a Musical. Her second opera, THUMBPRINT, premiered in the 2014 PROTOTYPE Festival, and was featured on NPR’s Morning Edition, as well as media outlets around the world. As a performer, Kamala has been hailed as "an impassioned soprano with blazing high notes" (Wall Street Journal). She has performed with and premiered pieces by Anthony Braxton, Beth Morrison Projects, the Philip Glass Ensemble, the Wooster Group, and John Zorn, among others. She is the frontwoman of world music ensemble Bombay Rickey, and appears regularly with Opera on Tap’s New Brew. In addition to her musical pursuits, Kamala has been a voice actor on Comedy Central’s Superjail and Cartoon Network’s Golden Age, and holds a PhD in Cognitive Psychology from the New School for Social Research.

Composer

Max Vernon (playwright/composer) is songwriter/performer, playwright, and visual artist based out of New York City, described by the New Yorker as “equal parts bohemia and Broadway,” His work has been performed and developed at places such as Ars Nova, New Dramatists, Two River Theater, Dixon Place, LaMaMa, Pride Films and Plays, Goodspeed Opera House, and Joe's Pub (Public Theatre). His music can be heard on the TV-series EastSiders (Logo). This past year he was a Dramatist Guild Theatre Fellow and an artist in residence at Rhinebeck Writer's Retreat. He also recently finished his first commission for Disney Creative Entertainment. His full length pieces include THE VIEW UPSTAIRS(NYU-Tisch, Two River Theater, Pride Films and Plays, 2014 Eugene O'Neill Conference finalist, 2014 Jonathan Larson Grant finalist, ASCAP musical theatre festival finalist), WIRED (Ars Nova, 2013 NAMT finalist), and WHO IS RHONDA RWANDA? He is also the composer for the film musical, State Debate, which won the best original score award at the 2012 First Run Film Festival. He hopes to one day dismantle patriarchy and steal yr grandma's sequin blazer. MFA: NYU- Graduate Musical Theatre Writing Program. www.maxvernon.com

Playwright & Composer

Ilana Becker (Director) is a NYC based director. She has developed new work at Lark Play Development Center, Dixon Place, 54 Below, The Flea Theater, TinyRhino, Communal Spaces: garden plays, Theater for the New City with Piper Theatre, O’Neill Theater Center’s Young Playwrights Festival and National Theatre Institute, Disney/ASCAP Musical Theatre Workshop, Samuel French Festival, FringeNYC, Pittsburgh Fringe, Galapagos Art Space, Hunter College, and NYU’s Dramatic Writing MFA program. She is developing ARGUMENT SESSIONS, an ongoing series of immersive events taken from SCOTUS transcripts. Other projects as co-producer and director include a site-specific production of WAITING FOR LEFTY at the Hartley House; Beer Plays, an evening of craft beers paired with short plays; and AROUND THE BLOCK, a roaming collection of investigative short pieces about and performed in New York neighborhoods. Ilana is a member of Bastard Playground, Lincoln Center Theater Directors Lab, Directors Lab Chicago, and was the ’11-‘12 Playwrights Horizons Robert Moss Directing Resident.

Director

Alexandra Keegan (director) is a director whose credits include Bekah Brunstetter’s Drunk, Kara Lee Corthron’s Mercury Is Perpetually in Retrograde…, Oscar Wilde’s The Canterville Ghost (Williamstown), Kim Davies’ Miss Authenticity (Stable Cable), Jessica Dickey’s The Amish Project (Circuit Theatre), and new plays with the O’Neill Theater Center YPF, Abingdon Theatre Company, UglyRhino Productions, Writopia Lab Worldwide Plays Festival, Primary Stages ESPA, and Manhattan Theatre Source Estrogenius. Recent assistant directing – Broadway: 24 Hour Plays; Williamstown: A Great Wilderness(dir. Eric Ting), The Dixon Family Album (dir. Jordan Fein); O’Neill NMTC: The Noteworthy Life of Howard Barnes (dir. Gabriel Barre); La Mama: Burnt Umber (dir. Mia Rovegno). An alum of the Williamstown Theatre Festival Directing Corps and the O’Neill’s National Theater Institute, Alex has worked with Women’s Project, New Dramatists, and The Civilians. She is currently developing a project that explores anxiety disorder and depression in young women, and received her B.A. from Brown University where she studied mental illness’ portrayal in contemporary theatre.

Director

Jay Stull (director) is a Brooklyn-based director and playwright. Recent New York directing credits include Mark Roberts’ ENTER AT FOREST LAWN(The Amoralists), Emily Schwend’s TAKE ME BACK(Kindling), Mark Roberts’ RANTOUL AND DIE at The Cherry Lane (The Amoralists), FEVER! Three Plays by Tennessee Williams (Girl In Red Productions), and Michael Rabe's THE FUTURE IS NOT WHAT IT WAS(Kindling). His play, THE CAPABLES, was produced in 2013 by Neighborhood Productions and the GYM at Judson and will be produced by the Bloomington Playwrights Project in 2015. The first episode in his cycle of STREEPSHOW! plays was produced this past summer as part of ANT Fest 2014. His written and directing work has been seen at or developed by the Lark Play Development Center, Ars Nova, Fresh Ground Pepper, Ugly Rhino, The Culture Project, and Joe’s Pub with The Civilians. He is the former Literary Manager of The Amoralists, where he curated the Amoralab and Amoralfest seasons between 2012 and 2014. He is a member of the performance collective Bastard Playground at The Drama League.

Director